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Educational Support Material
& Program

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We are proud to be a part of the VCAA Drama Playlist for 2024, helping VCE Drama students and teachers achieve the outcomes for their studies.

Below you will find a variety of information to help support the study of our production both before and after seeing the show. And if there is anything further from us you need please don't hesitate to contact us!

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Hamlet - A Commedia Tragedy

Hamlet is a Commedia dell’Arte adaption of Shakespeare’s famous tragedy as you have never seen it before. A short and punchy 100 minute show packed full of larger than life characters and physicality, clever and adaptable stagecraft and a diverse troupe of 5 actors who multi-role to bring this tragic tale to new and relevant life in two stunning outdoor venues will make for an unforgettable experience. 

 

    Hamlet - Set in 1939 in Copenhagen, Denmark with the world on the precipice of World War Two, the famous Circus Belli is enjoying the height of its success. After the sudden death of their Ringmaster Hamlet senior, his brother Claudius takes both the whip as the new Ringmaster and owner of the circus Gertrude as his new wife. Left alone in the grief of losing his father, seeing him so easily replaced and his mother so quickly remarried, young Hamlet is visited by the ghost of his father commanding he seek revenge on his uncle Claudius who murdered him. And so the descent of our story begins. As Hamlet seeks avenues to enact his revenge the darkness of his intentions spreads through the circus like a disease and the facade of the showy world of Circus begins to crack dragging everyone into the maelstrom and no one is immune. Hamlet, the Circus and Denmark are all symbolically connected in their demise as we witness Hamlet driven to his end by revenge, the demise of Circus as the pre-eminent form of entertainment as television dawns on the horizon, and the demise of Denmark into World War Two as their peaceful neutrality is ripped away by Germany. Does history repeat itself or will this time be different?

 

    Set in two stunning outdoor spaces; the Garden for the Future in Bendigo and The Fairfield Amphitheatre in Melbourne, audiences are encouraged to bring a picnic of food and drink, comfortable seating and prepare for the weather (camp chairs and blankets for green grass in Bendigo, and rugs and cushions for the stone steps of Fairfield) making this a truly wonderful night out at the theatre.

Meet The Team

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Scott Middleton (he/him)

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Founder & Artistic Director

Actor - Hamlet, Polonius

Scott has worked in Theatre, Film & Television nationally and internationally as well as establishing several companies to devise new work. His training includes a BA in Acting from Federation University (2008) and a Masters from RADA in London (2016) along with extensive training in Commedia dell'Arte, Viewpoints, Suzuki method and with Frantic Assembly. After returning to Melbourne he established his own company Sheoak Productions in 2022 producing their first show Midsummer, and their second show Hamlet. He is also humbled to be a regular Movement and Acting lecturer at Federation University and made his directorial debut with the 3rd year graduating company devised production Exquisite Corpse early last year. He is grateful to be returning to share his knowledge where his professional journey began. His most recent appearances include in the sold out season of Traps at LaMama and the critically acclaimed Songs of the Flesh and Prophet both at Theatre Works last year as well as a guest appearance on the TV series Warnie, and earlier this year as Ed in the iconic Torch Song at Chapel Off Chapel. He is passionate about devising new work and reinterpreting existing texts with a physical and visceral approach to performing and training. Scott would like to thank his family, friends and everyone who has supported this production in ways big and small, it does not go unnoticed and it is so very deeply appreciated.

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Mandy Ellison (she/her)

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Director

Set Designer & Education Support Material

Mandy has over 25 years’ experience as a VCE Teacher, specialising in Drama and Theatre Studies as well as English and Outdoor Education. She is a VCE Assessor for Drama. Mandy trained as a Drama teacher at Melbourne University and has a Post Graduate Certificate in Teaching Shakespeare from the University of Melbourne in partnership with the Royal Shakespeare Company and Warwick University in the UK. She has developed a strong portfolio as a director in local and school productions, including marking the amateur premiere of critically acclaimed production of Matilda - The Musical production in Australia. She is passionate about the transformative power of Shakespeare’s plays in any form. Mandy previously directed Two Gents and Midsummer for Sheoak Productions in 2021/2022 and is excited to return for this production of Hamlet.

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Seon Williams (she/her)

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Actor - Horatio, Ophelia, Polonius, Player

Seon Williams (she/her) is a Naarm based actor with over 20 years of experience in the industry. She has appeared in over 40 stage shows including Artefact Theatre’s “The Real Inspector Hound”, sell-out Midsumma Festival show “A Year of Dating”, and the Ghostlight League’s production of “Shakespeare Aliens” as part of the Melbourne and Adelaide Fringe Festivals. In 2023, Seon was an actor, writer and director for Baggage Production’s “Madwomen Monologues” and performed in InnesLloyd’s Melbourne Comedy Festival production of “A Bond Among Us”. Seon has also appeared in the award-winning web series “The Happiness Curve” and award-winning short film “Autocarrot”. This is Seon’s third time performing with Sheoak Productions, following 2021’s “Two Gents” and “Midsumma” in 2022.

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Scott Jackson (he/him)

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Actor - Laertes, Rosencrantz, Polonius, Player

Scott Jackson has a bachelor’s degree in Acting and has continued training in Stage Combat mainly in Australia with SAFDi and Captivate Action Ltd. He has worked for the Australian Shakespeare Company for over a decade, working on Romeo & Juliet (Mercutio) A midsummer Nights Dream (Demetrius) Hamlet (Guildenstern) As You Like It (Le Beau/ Silvius), and Shakespeare’s Best Bits twice (Snout, nominated for a Green Room award). Scott was the Fight Choreographer for the ASC’s new production of Romeo & Juliet in 2023 and has just finished playing Mr. Toad in Wind in the willows. Scott’s Immersive and Improvised Theatre experience includes: large scale tour of Dirty Dancing. Underground cinema’s Hotel, Kingdom, Call of Duty Black Ops, Edgar Ellen Poe’s world of A Midnight Visit, and Applause Entertainment’s Murder Mystery at Labassa Mansion. Scott has also been a company member of Melbourne Playback Theatre Company since 2017. Scott's other credits include: A dogs Tale TV Series WIN TV (Chris), Two Gents (Proteus) for Sheoak Productions, Romeo and Juliet (Romeo) and King Lear (Oswald) for Ozact Theatre Company, Macbeth (Ross) for Melbourne Company of Players and numerous other productions. Scott has been a proud member of the MEAA since 2008.

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Lachie Murdoch (he/him)

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Actor - Claudius, Ghost, Polonius, Player, Hans

 & Fight Choreographer

Lachie Murdoch is a performer, director, stage combatant, and arts creative based in Naarm/Melbourne. In performance, Lachie cut his teeth in the stand up comedy scene. As a director, 10 years experience in touring Children's Theatre - whilst covering all facets and rolls of production, touring, and performing. This also included stage combat, evolving to instruction & training as a committee member of the Australian Stage Combat Association. After assisting in the background for previous productions, Lachie is delighted to finally step onto the stage with the fantastic team at Sheoak Productions as Claudius/Ghost in Hamlet. Fulfilling a long standing desire to explore not only a profoundly historic playwright, but also an equally influential comedic performing style for his Shakespeare & Commedia debut.

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Jacqui Martin (she/her)

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Actor - Gertrude, Polonius, Gravedigger, Player

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Jacqui Martin is a Melbourne based performer, director and arts creative working across many fields in the industry. As a director, Jacqui worked in children’s theatre for 11 years producing shows that toured Australia, which she also performed in and played over 20 different characters. In 2023, she directed ‘Burn it.’ for its debut season at The Butterfly Club, and is currently directing its remount for Adelaide Festival. Directing is a passion for Jacqui and she delights in collaborative projects where the work is created with writer, performer and director. Jacqui is currently working as Operations Manager at Dancehouse, is Treasurer for the Be You Group Board and is the current Victorian Rep for Australian Stage Combat Association. Jacqui is delighted to be joining Sheoak Productions again for ‘Hamlet’, after being involved in ‘Midsummer’ as Helena, Titania, Snug, Egeus and Puck (2022), and playing Silvia, Lucetta and Antonia in ‘Two Gents’ (2021). She revels in the ensemble nature of the shows and creating the work in collaboration with this incredible team.

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Emma Herben (she/her)

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Stage Manager, Costume Designer, Props and FOH.

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Based in Melbourne and Bendigo Emma has been involved in the industry for 19 years. Working festivals, films and stage productions she loves being a backstage dweller. Although assistant stage manager is her all-time favourite position she has also held other roles such as assistant director, production manager, stage manager, backstage assistant, audio, hair and makeup design/application, props master, wardrobe, front of house, ensemble and set construction. After working with this amazing cast and crew on two previous productions, Emma is so excited to be back to give you all another very entertaining top quality show.

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Greg Bowen (he/him)

    Set Design and Construction

    Greg is a retired teacher who enjoys theatre. He has previously designed and constructed innovative sets for The Lion King Jr, Alice in Wonderland Jr, Mulan Jr, Matilda The Musical, The Resistible Rise of Arturo Ui, Romeo and Juliet (set in 1980s Las Vegas) and Midsummer for Sheoak Productions. He loves problem solving and finding simple ways to achieve high quality designs on a budget! Greg proudly supports the team at Sheoak Productions and is looking forward to sitting back and watching the show from the front!

    A Word from the Director...

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    Mandy Ellison, the Director and Scott Middleton, Production Manager and Artistic Director of Sheoak Production Company adapted their interpretation of the script from the Arden Shakespeare Edition of Hamlet by William Shakespeare. Their aim was to present an interpretation of the play combining conventions of traditional Commedia Dell’arte and Elizabethan Theatre performance styles, re-contextualised to set the story in Denmark in 1939 on the cusp of World War Two in Europe. Here Mandy discusses the playmaking process of adapting the script in this way for the target VCE Drama student audience.

    Once again, I am privileged to have been asked to direct another Sheoak production which has been included

    on the 2024 VCAA playlist for VCE Drama students to analyse. In my role as the Director, Scott gave me a

    specific brief to work with. The style of the performance would be Commedia Dell’ Arte and I could only have

    5 actors to portray all of the characters. The run time had to be edited to approximately 100 minutes and as

    with all productions, we had to work within a budget. My experience as a VCE Drama and Theatre Studies

    teacher would be used to develop the work so that the performance could demonstrate the key knowledge

    and skills for the VCE Unit 3 Drama students’ performance analysis task. This includes modelling the use of

    playmaking techniques when devising an ensemble performance, as well as the inclusion of conventions such

    as transformation of time, place and character, as well as application of symbol, throughout the performance.

    Adapting Shakespeare’s ‘The Tragedy of Hamlet’ into a Commedia performance has been no small

    undertaking. At nearly 4 hours in length, rich with poetic imagery, lengthy monologues and political intrigue,

    a story that ends up with most of the main characters dead, we had a challenge ahead of us. Both Scott and

    I have long harboured a passion for Shakespeare and the style of Commedia Dell’arte. We have successfully

    combined these two styles in previous adaptations of Shakespeare’s The Two Gentlemen of Verona (Two

    Gents 2021) and A Midsummer Night’s Dream (Midsummer 2022). In this production we wanted to explore

    how the application of conventions of Commedia Dell’arte could continue the traditional art of dramatic

    storytelling and engage a contemporary audience in one of Shakespeare’s tragedies.

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    The wonderful thing about William Shakespeare’s plays is that the character archetypes, stories and themes are universal. Shakespeare wrote his plays to both entertain and provide commentary on the London Elizabethan world. Shakespeare did not write plays for literary study and analysis, he wrote plays to be seen and heard, with characters that his audiences would recognise and identify with. In the spirit of Shakespeare’s intentions for theatre in London in the late 16th Century, we believe he would wholeheartedly embrace any adaptation that would make his characters and themes pertinent for diverse audiences. At least, this is the Director’s licence to be able to explore and harness the dramatic potential of the script. As a teacher/director I would like our student audiences, and indeed our general public audience, to question, analyse and evaluate how this interpretation resonates with them. I believe plays should be provocative, ask questions and create opportunities for discussion. There is no right or wrong – just how do you react to or feel about what is presented to you.

    The concept to keep the location of the play in Denmark as per the original text, but to change the setting

    period to 1939 gave a sound basis for exploring Hamlet’s psychological decline as a metaphor for destruction

    of the impending impact of World War 2, including the oncoming occupation of Denmark by German forces

    in 1941 and the decline in the Circus as a popular entertainment after the war.

    I have relished the opportunity to work with Scott and the production team three years on from our first collaboration with Two Gents in 2021 of multi-rolling all the characters and the intense physicality in performing stock characters of the Commedia Dell’ Arte. Emma Herben is absolutely gold as our Stage Manager. She has once again blessed us with her fabulous organisation, attention to detail, creative arts for many of the props and costumes and ability to source just about anything on the internet as well as her role as Stage Manager and Front of House during every performance. Watch the interviews with the actors to hear about their journey of discovery in bringing Hamlet to the stage.

     

    - Mandy Ellison, Director.     

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    Credits

    We are sincerely grateful for the assistance and generosity of the people who have helped bring this project to fruition. Our performing artists are still trying to recover their careers from the impact of the Covid-19 restrictions two years ago. We would like to thank the audience for coming to see Hamlet to support live theatre and our actor’s livelihoods.

     

    Bendigo Theatre Company
    for assistance with the rehearsal venue and the wonderful Stania Tresize for her help with

    costume hire.

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    Mark Beever

    for assistance with production photos used in the performance

     

    Emma Herben, Stage Manager Extraordinaire

    For her impeccable organisation, creative crafting, sewing and her never-ending Mary Poppins Wardrobe

     

    The Bendigo Advertiser and GOLD FM Radio Bendigo

    for media coverage and publicity photographs

     

    Dr Meg Upton

    Curriculum Manager-Performing Arts Victorian Curriculum and Assessment Authority

     

    Ian Scott from ISLX

    Lighting hire

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    Video Content

    Rehearsal Process
          - Weekly Updates

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    Actor Interviews
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    Classroom Material

    For our entire Educational resources pack in PDF format please the image below.

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    ©2021 by Sheoak Productions

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